Victorian literature is rife with scenes of madness, with mental disorder functioning as everything from a simple plot device to a commentary on the foundations of Victorian society. But while madness in Victorian fiction has been much studied, most scholarship has focused on the portrayal of madness in women; male mental disorder in the period has suffered comparative neglect. In ‘The Most Dreadful Visitation’, Valerie Pedlar redresses the balance. This extraordinary study explores a wide range of Victorian writings to consider the relationship between the portrayal of mental illness in literary works and the portrayal of similar disorders in the writings of doctors and psychologists. Pedlar presents in-depth studies of Dickens’s Barnaby Rudge, Tennyson’s Maud, Wilkie Collins’s Basil and Trollope’s He Knew He Was Right, considering each work in the context of Victorian understandings – and fears – of mental degeneracy.

Listed by Unglue.it.

Described as the most widely read and influential serious writer of the twentieth century, George Orwell remains relevant in our own era of contested media. He continues to attract a large readership. This book is about Orwell’s post-war cultural moment c. 1948. Taking his Diaries of the time as inspiration, together with his famous final novel, 1984 (published 1949), and treating them as contiguous texts, Brian May considers the gaps, equivocations, and contradictions in Orwell's message and asks what Orwell would have written next. But 1948 is more than a work of literary criticism: rather, it balances critical discussion with creative intervention, being one-half literary-critical commentary, and one-half fictional departure – a novella titled “From the Archives of Oceania,” which quotes, parodies and pastiches Orwell's Diaries, offering a possible prequel. Together these elements offer a resource for the reader to interrogate anew such difficult issues as Orwell's sexism and anti-Semitism; to explore the tensions between various intertwining strands of thought that cast Orwell as both realist and idealist, Puritan and individualist; and to better understand Orwell's curious affection for the natural world. 1948 will appeal to all readers and critics of Orwell, but also to students of dystopian fiction, "revisionary" fiction and "reception study," which highlights the audience’s contribution to an artwork's meaning.

Listed by Unglue.it.

The first comparative historical study of the six Disneyland theme parks around the world in five distinct cultures: the USA, Tokyo, Paris, Hong Kong and Shanghai. Situates the parks in their respective historic contexts at the time of their opening, and considers the part that class plays in the success or failure of these ventures.

Listed by Unglue.it.

Eleanor Dark (1901-1985) is one of Australia's most celebrated writers of the inter-war years. Born with the twentieth century - a Federation baby - she published ten novels, amongst them one of the best loved Australian stories of all time, The Timeless Land. Her life spanned successive global crises - two world wars, the economic depression of the 1930s, the Cold War - each issuing its own challenges to the artist and the people's writer she thought herself to be. By far the most privileged writer of her generation, her ultimate challenge was a personal one: to unlock the gates of her world-proof life to a society and a world in crisis. The first cross-cultural biography of this famous Australian writer, Marivic Wyndham's rich and controversial portrait of Eleanor Dark is based on extensive research of the author's public and private lives.

Listed by Unglue.it.

"Everything always changes" is an indispensable tool for the literary translator in training and the beginning and advanced professional in translating into and from Dutch. For the first time, all important aspects of literary translation are brought together clearly and comprehensively: the business and financial aspects, the basic knowledge and skills that this activity assumes, the general key concepts and challenges, the translation of traditional literary genres, but also of children's and youth literature, literary non-fiction and philosophy, and the 'aftercare' in the form of revision, marketing and promotion.

Listed by Unglue.it.

Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today. Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction. Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

Listed by Unglue.it.

Filled with new elements that challenge common scholarly theses, this book acquaints the reader with the “Jewish problem” of sociology and provides what this academic discipline urgently needs: a one-volume history of the Sociology of the Holocaust. The story of why and how sociologists as well as the schools of sociological thought came to confront the Holocaust has never been entirely told. The volume offers original insights on the nature of American sociology with implications for the post-Holocaust sociology development.

Listed by Unglue.it.

A nationwide survey conducted by an institute for philosophical research has determined that nihilists, on the whole, have good intentions.In An Unspecific Dog, Joshua Rothes collects 150 short texts as fables for our time, a veritable catalog of agnotology, a series of situations and propositions that revel in the dark irony at the root of our early-twenty-first-century existence.A man reads the terms and conditions and finds that he has no secrets, while scientists promise that, “with improvements to fMRI technology, what matters to us will become more clear.”The subjects of these texts are caught between vocabularies, between contingency and certainty, the interim in which certain kind of ironic vitality exists, where tragedy and humor are equally likely and often deeply entangled. Rothes reminds us that language acts as a mirror for human experience, in that through it we can never really see the backs of our own heads.ABOUT THE AUTHORJoshua Rothes is the author of several unfinished books, as well as a quantity of short fictions that may one day be dignified as Collected. He was born in 1987 in North Carolina. He lives with a lady and a dog in Seattle.

Listed by Unglue.it.

Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Taking Neon Genesis Evangelion (Shin Seiki Evangerion) as a case study, this volume acknowledges anime as a media form with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses.

First broadcast in Japan in 1995-96, Neon Genesis Evangelion became an epoch-making anime, and later franchise. The initial series used already available conventions, visual resources and narrative tropes typical of anime in general and the mecha (or giant-robot) genre in particular, but at the same time it subverted and reinterpreted them in a highly innovative and as such standard-setting way.

Investigating anime through Neon Genesis Evangelion this volume takes a broadly understood media-aesthetic and media-cultural perspective, which pertains to medium in the narrow sense of technology, techniques, materials, and semiotics, but also mediality and mediations related to practices and institutions of production, circulation, and consumption. In no way intended to be exhaustive, this volume attests to the emergence of anime studies as a field in its own right, including but not prioritizing expertise in film studies and Japanese studies, and with due regard to the most widely shared critical publications in Japanese and English language. Thus, the volume provides an introduction to studies of anime, a field that necessarily interrelates media-specific and transmedial aspects.

In Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion, anime is addressed from a transnational and transdisciplinary stance. The disciplinary and methodological perspectives taken by the individual chapters range from audio-visual culture, narratology, performance and genre theory to fandom studies and gender studies. In its first part, the book focuses on textual analysis and media form in the narrow sense with regard to filmic media, bank footage, voice acting and musical score, and then it broadens the scope to consider subcultural discourse, franchising, manga and video game adaptations, as well as critical and affective user engagement.

Listed by Unglue.it.

Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion aims at advancing the study of anime, understood as largely TV-based genre fiction rendered in cel, or cel-look, animation with a strong affinity to participatory cultures and media convergence. Taking Neon Genesis Evangelion (Shin Seiki Evangerion) as a case study, this volume acknowledges anime as a media form with clearly recognizable aesthetic properties, (sub)cultural affordances and situated discourses.

First broadcast in Japan in 1995-96, Neon Genesis Evangelion became an epoch-making anime, and later franchise. The initial series used already available conventions, visual resources and narrative tropes typical of anime in general and the mecha (or giant-robot) genre in particular, but at the same time it subverted and reinterpreted them in a highly innovative and as such standard-setting way.

Investigating anime through Neon Genesis Evangelion this volume takes a broadly understood media-aesthetic and media-cultural perspective, which pertains to medium in the narrow sense of technology, techniques, materials, and semiotics, but also mediality and mediations related to practices and institutions of production, circulation, and consumption. In no way intended to be exhaustive, this volume attests to the emergence of anime studies as a field in its own right, including but not prioritizing expertise in film studies and Japanese studies, and with due regard to the most widely shared critical publications in Japanese and English language. Thus, the volume provides an introduction to studies of anime, a field that necessarily interrelates media-specific and transmedial aspects.

In Anime Studies: Media-Specific Approaches to Neon Genesis Evangelion, anime is addressed from a transnational and transdisciplinary stance. The disciplinary and methodological perspectives taken by the individual chapters range from audio-visual culture, narratology, performance and genre theory to fandom studies and gender studies. In its first part, the book focuses on textual analysis and media form in the narrow sense with regard to filmic media, bank footage, voice acting and musical score, and then it broadens the scope to consider subcultural discourse, franchising, manga and video game adaptations, as well as critical and affective user engagement.

Listed by Unglue.it.

'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

Listed by Unglue.it.

'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.

Listed by Unglue.it.

Drawing on a broad range of personal accounts, this is the first detailed study of siblinghood in wartime. The relative youth of the fighting men of the Great War intensified the emotional salience of sibling relationships. Long separations, trauma and bereavement tested sibling ties forged through shared childhoods, family practices, commitments and interests. We must not equate the absence of a verbal language of love with an absence of profound feelings. Quieter familial values of kindness, tolerance and unity, instilled by parents and reinforced by moral instruction, strengthened bonds between brothers and sisters. Examining the nexus of cultural and familial emotional norms, this study reveals the complex acts of mediation undertaken by siblings striving to reconcile conflicting obligations to society, the army and loved ones in families at home. Brothers enlisted and served together. Siblings witnessed departures and homecomings, shared family responsibilities, confided their anxieties and provided mutual support from a distance via letters and parcels. The strength soldier-brothers drew from each other came at an emotional cost to themselves and their comrades. The seismic casualties of the First World War proved a watershed moment in the culture of mourning and bereavement. Grief narratives reveal distinct patterns of mourning following the death of a loved sibling, suggesting a greater complexity to male grief than is often acknowledged. Surviving siblings acted as memory keepers, circumventing the anonymisation of the dead in public commemorations by restoring the particular war stories of their brothers.

Listed by Unglue.it.

In 2002, Doug Nufer wrote a story narrated by a tout, who proposed a novel way to beat the races. It was so absurd and ludicrous it gave him an idea. So Nufer went to Emerald Downs, home of thoroughbred racing in the Northwest. There, he split himself into three characters modeled on the heteronyms of Fernando Pessoa. Using a money management plan from a James Kelman short story, Nufer gave these characters money and set them free to gamble. He returned to the track every week for a full season, and his characters/heteronyms continued to bet, with real money and in the name of art. At the end of the season, he had pages of data in the form of a wagering diary, the outcome of a literary experiment that formed the basis of a literal experimental novel.

Listed by Unglue.it.

This comprehensive work presents a thorough exploration of celebrity ‘bromances,’ interrogating how bromances are portrayed in media and consumed by audiences to examine themes of celebrity persona, performativity, and authenticity. The authors examine how the performance of intimate male friendships functions within broadly ‘Western’ celebrity culture from three primary perspectives: construction of persona; interactions with audiences and fans; and commodification. Case studies from film and television are used to illustrate the argument that, regardless of their authenticity (real or staged), bromances are useful for engaging audiences and creating an extension of entertainment beyond the film the actors originally sought to promote. The first truly interdisciplinary study of its kind, this book will be of great interest to scholars and students of communications, advertising, marketing, Internet studies, media, journalism, cultural studies, and film and television.

Listed by Unglue.it.

"This book offers the first comprehensive study of the many interfaces shaping the relationship between comics and videogames. It combines in-depth conceptual reflection with a rich selection of paradigmatic case studies from contemporary media culture. The editors have gathered a distinguished group of international scholars working at the interstices of comics studies and game studies to explore two interrelated areas of inquiry: The first part of the book focuses on hybrid medialities and experimental aesthetics ""between"" comics and videogames; the second part zooms in on how comics and videogames function as transmedia expansions within an increasingly convergent and participatory media culture. The individual chapters address synergies and intersections between comics and videogames via a diverse set of case studies ranging from independent and experimental projects via popular franchises from the corporate worlds of DC and Marvel to the more playful forms of media mix prominent in Japan. Offering an innovative intervention into a number of salient issues in current media culture, Comics and Videogames will be of interest to scholars and students of comics studies, game studies, popular culture studies, transmedia studies, and visual culture studies."

Listed by Unglue.it.

Bringing together the work of an array of North American and European scholars, this collection highlights a previously unexamined area within global comics studies. It analyses comics from countries formerly behind the Iron Curtain like East Germany, Poland, Czech Republic, Hungary, Romania, Yugoslavia, and Ukraine, given their shared history of WWII and communism. In addition to situating these graphic narratives in their national and subnational contexts, Comics of the New Europepays particular attention to transnational connections along the common themes of nostalgia, memoir, and life under communism. The essays offer insights into a new generation of European cartoonists that looks forward, inspired and informed by traditions from Franco-Belgian and American comics, and back, as they use the medium of comics to reexamine and reevaluate not only their national pasts and respective comics traditions but also their own post-1989 identities and experiences.

Listed by Unglue.it.

En esta publicación presentamos los cuentos ganadores del primer concurso de cuento corto realizado por la Vicerrectoría de Investigaciones y la Vicerrectoría de Desarrollo Humano de la Universitaria Agustiniana. Esperamos que éste, y los futuros textos que hagan parte de la colección: creación artística y cultural, sean acogidos con una gran aceptación y sentido de pertenencia. En esta ocasión, el libro incluye diez cuentos ganadores y tres cuentos que recibieron mención de honor. La participación para esta primera versión fue amplia y contamos con la creatividad de estudiantes, docentes, administrativos y egresados de la institución.

Listed by Unglue.it.

This book presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis. The Australian continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ‘cosmos’—the order of the world—to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ‘cosmological readings’ of a diverse range of authors—Indigenous and non-Indigenous—as a challenge to the Anthropocene’s decline-narrative. As a result, it reactivates ‘cosmos’ as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era. This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.

Listed by Unglue.it.

The book traces the construction and function of the pirate in transatlantic American literature from the late 17th century to the Civil War, exploring in what ways the cultural imaginary teased out the pirate’s ambivalent potential as a figure of both identification and Othering, and how it has been used to negotiate ideas of legitimacy. The study recasts piracy as a discursive category moving in a continuum between the propagation of (post-)colonial adventure and accumulation on the one hand and critical commentary on exploitation and oppression on the other. Reading piracy narratives as symptomatic of various crisis scenarios in the US context, the book examines how the pirate was imbued with (de)legitimatory meaning during such periods in both elite and popular texts.

Listed by Unglue.it.

La presente compilación de relatos cortos del Tercer Concurso Uniagustiniano de Cuento Corto, con el lema “Mi cuento es escribir el mundo”, ofrece a los lectores los dieciséis mejores cuentos a juicio de los jurados; cuatro por cada una de las categorías establecidas en la convocatoria: estudiantes, docentes, administrativos y egresados. La novedad en esta edición son los cuentos invitados, que incluye a los escritores colombianos John Junieles, Mario Price y Anatael Garay, como un aporte de nuestra institución para el fomento de autores colombianos que cultivan el género del cuento. Asimismo, para esta edición, el maestro Omar Figueroa Turcios, uno de los maestros con más premios y reconocimientos en el arte de la caricatura contemporánea, elaboró cinco exclusivas ilustraciones, una para la portada y las cuatro internas, una para cada cuento ganador en su categoría.

Listed by Unglue.it.

The first part of this book consists in the translation of Alojzij Res's diary from Slovenian into Italian language. The author of the diary reported from the Isonzo front of the First World War. The second part contains a critical part, which aims to analyse and present the work and the author more in detail.

Listed by Unglue.it.

This dialogue about death from the year 1400 has no peer in early German Renaissance literature. Ernest Kirrmann presents an English translation of the German classic, as well as a preface by Alois Bernt giving an introduction to the context and significance of the work. The text is accompanied by five woodcuts reproduced from the earliest known printed version of the German original.

Listed by Unglue.it.

Taking Walter Benjamin's Arcades Project as an inspiration, Dickens's London offers an exciting and original project that opens a dialogue between phenomenology, philosophy and the Dickensian representation of the city in all its forms. Julian Wolfreys suggests that in their representations of London - its streets, buildings, public institutions, domestic residences, rooms and phenomena that constitute such space - Dickens's novels and journalism can be seen as forerunners of urban and material phenomenology. While also addressing those aspects of the urban that are developed from Dickens's interpretations of other literary forms, styles and genres, Dickens's London presents in twenty-six episodes (from Banking and Breakfast via the Insolvent Court, Melancholy and Poverty, to Todgers and Time, Voice and Waking) a radical reorientation to London in the nineteenth century, the development of Dickens as a writer, and the ways in which readers today receive and perceive both.

Listed by Unglue.it.

Taking Walter Benjamin's Arcades Project as an inspiration, Dickens's London offers an exciting and original project that opens a dialogue between phenomenology, philosophy and the Dickensian representation of the city in all its forms. Julian Wolfreys suggests that in their representations of London - its streets, buildings, public institutions, domestic residences, rooms and phenomena that constitute such space - Dickens's novels and journalism can be seen as forerunners of urban and material phenomenology. While also addressing those aspects of the urban that are developed from Dickens's interpretations of other literary forms, styles and genres, Dickens's London presents in twenty-six episodes (from Banking and Breakfast via the Insolvent Court, Melancholy and Poverty, to Todgers and Time, Voice and Waking) a radical reorientation to London in the nineteenth century, the development of Dickens as a writer, and the ways in which readers today receive and perceive both.

Listed by Unglue.it.

"Diseases of the Head is an anthology of essays from contemporary philosophers, artists, and writers working at the crossroads of speculative philosophy and speculative horror. At once a compendium of multivocal endeavors, a breviary of supposedly illicit ponderings, and a travelogue of philosophical exploration, this collection centers itself on the place at which philosophy and horror meet. Employing rigorous analysis, incisive experimentation, and novel invention, this anthology asks about the use that speculation can make of horror and horror of speculation, about whether philosophy is fictional or fiction philosophical, and about the relationship between horror, the exigencies of our world and time, and the future developments that may await us in philosophy itself. From philosophers working on horrific themes, to horror writers influenced by heresies in the wake of post-Kantianism, to artists engaged in projects that address monstrosity and alienation, Diseases of the Head aims at nothing less than a speculative coup d'état. Refusing both total negation and absolute affirmation, refusing to deny everything or account for everything, refusing the posture of critique and the posture of all-encompassing unification, this collection of essays aims at exposition and construction, analysis and creation – it desires to fight for some thing, but not everything, and not nothing. And it desires, most of all, to speak from the position of its own insufficiency, its own partiality, its own under-determinacy, which is always indicative of the practice of thinking, of speculation. Considering themes of anonymity, otherness and alterity, the gothic, extinction and the world without us, the end times, the apocalypse, the ancient and the world before us, and the uncanny or unheimlich, among other motifs, this anthology seeks to articulate the cutting edge which can be found at the intersection of speculative philosophy and speculative horror."

Listed by Unglue.it.

This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent. In the course of his fairy tale production (1814–1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.'

Listed by Unglue.it.

An image in technicolor. Fifty years of wars in Vietnam 1940-1990 gives a broad and innovative interpretation of the history of Vietnam between 1940 and 1990. Black and white characterisations, one-sided interpretations and prevailing myths are debunked. Instead, a nuanced and multifaceted picture is given in which the United States is less prominent. History is not only written by the victors and, in this case too, the history of Vietnam during this period cannot be attributed solely to Ho Chi Minh and the success of the Communists in 1975. The internal losers, that is, the other political movements and their leaders, must also be given a crucial place in Vietnam’s history. For example, the civil wars that took place between 1940 and 1990 played an unmistakable role. The older, idealised image of North Vietnam is inaccurate. This country was a dictatorial and oppressive police state. After 1954, the North Vietnamese leaders were embroiled in a fierce power struggle and were largely responsible for the war in South Vietnam. The answer to the question of who the legitimate representatives of the Vietnamese nation were also requires a more balanced judgment of non-Communist politicians, such as Bao Dai, Ngo Dinh Diem and Nguyen Van Thieu. As for the role of international players, initially, it was the Cold War that determined the United States' interference; later, it was American credibility. In the end, it was the support from China and the Soviet Union that was the deciding factor for North Vietnam’s victory. Important new perspectives are given on the role of minorities, the meaning of ‘a third way’, the devastating effects of the strategy, the role of women and girls, and the mental and cultural aspects of the wars.

Listed by Unglue.it.

From Outbreak to The Walking Dead, apocalyptic narratives of infection, contagion and global pandemic are an inescapable part of twenty-first-century popular culture. Yet these fears and fantasies are too virulent to be simply quarantined within fictional texts. The vocabulary and metaphors of outbreak narratives have permeated how news media, policymakers and the general public view the real world and the people within it. In an age where fact and fiction seem increasingly difficult to separate, contagious bodies (and the discourses that contain them) continually blur established boundaries between real and unreal, legitimacy and frivolity, science and the supernatural. Where previous scholarly work has examined the spread of epidemic realities in horror fiction, the essays in this collection also consider how epidemic fantasies and fears influence reality. Initiating dialogue between scholarship from cultural and media studies, and scholarship from the medical humanities and social sciences, this collection gives readers a fuller picture of the viropolitics of contagious bodies in contemporary global culture.

Listed by Unglue.it.

This open access book considers science and empire, and the stories we tell ourselves about them. Using British Nobel laureate Ronald Ross (1857-1932) and his colleagues as access points to a wider professional culture,

Empire Under the Microscope

explores the cultural history of parasitology and its relationships with the literary and historical imagination between 1885 and 1935. Emilie Taylor-Pirie examines a wealth of archival material including medical lectures, scientific publications, popular biography, and personal and professional correspondence, alongside novels, poems, newspaper articles, and political speeches, to excavate the shared vocabularies of literature and medicine. She demonstrates how forms such as poetry and biography; genres such as imperial romance and detective fiction; and modes such as adventure and the Gothic, together informed how tropical diseases, their parasites, and their vectors, were understood in relation to race, gender, and nation. From Ancient Greece, to King Arthur’s Knights, to the detective work of Sherlock Holmes, parasitologists manipulated literary and historical forms of knowledge in their professional self-fashioning to create a modern mythology that has a visible legacy in relationships between science and society today.

Emilie Taylor-Pirie is a Leverhulme Early Career Fellow at the University of Birmingham, UK. She has a BSc in Biology and higher degrees in the humanities.

Listed by Unglue.it.

This open access book considers science and empire, and the stories we tell ourselves about them. Using British Nobel laureate Ronald Ross (1857-1932) and his colleagues as access points to a wider professional culture,

Empire Under the Microscope

explores the cultural history of parasitology and its relationships with the literary and historical imagination between 1885 and 1935. Emilie Taylor-Pirie examines a wealth of archival material including medical lectures, scientific publications, popular biography, and personal and professional correspondence, alongside novels, poems, newspaper articles, and political speeches, to excavate the shared vocabularies of literature and medicine. She demonstrates how forms such as poetry and biography; genres such as imperial romance and detective fiction; and modes such as adventure and the Gothic, together informed how tropical diseases, their parasites, and their vectors, were understood in relation to race, gender, and nation. From Ancient Greece, to King Arthur’s Knights, to the detective work of Sherlock Holmes, parasitologists manipulated literary and historical forms of knowledge in their professional self-fashioning to create a modern mythology that has a visible legacy in relationships between science and society today.

Emilie Taylor-Pirie is a Leverhulme Early Career Fellow at the University of Birmingham, UK. She has a BSc in Biology and higher degrees in the humanities.

Listed by Unglue.it.

Eva, a 1927 novel by Dutch writer Carry van Bruggen, is an experiment in depicting a woman’s life from girlhood to marriage, and beyond, to sexual freedom and independence. At the same time, the narrative expresses Eva’s dawning sense of self and expanding subjectivity through a stream of consciousness told by a shifting narrator. Burdened all of her life by feelings of shame, at the end of the novel Eva overcomes this legacy of her upbringing and declares that it is ‘bodily desire that makes love acceptable’.

Listed by Unglue.it.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The study investigates the cultural production of the visual iconography of popular pleasure grounds from the eighteenth century pleasure garden to the contemporary theme park. Deborah Philips identifies the literary genres, including fairy tale, gothic horror, Egyptiana and the Western which are common to carnival sites, tracing their historical transition across a range of media to become familiar icons of popular culture.Though the bricolage of narratives and imagery found in the contemporary leisure zone has been read by many as emblematic of postmodern culture, the author argues that the clash of genres and stories is less a consequence of postmodern pastiche than it is the result of a history and popular tradition of conventionalised iconography.

Listed by Unglue.it.

The original 1818 text of Mary Shelley's classic novel, with annotations and essays highlighting its scientific, ethical, and cautionary aspects. Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can be read as the ultimate parable of scientific hubris. Victor, “the modern Prometheus,” tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms—as a seminal example of romanticism or as a groundbreaking early work of science fiction—Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. This edition of Frankenstein pairs the original 1818 version of the manuscript—meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text—with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written. Essays by Elizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnston, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann

Listed by Unglue.it.

"From Goethe to Gundolf: Essays on German Literature and Culture is a collection of Roger Paulin’s groundbreaking essays, spanning the last forty years. The work represents his major research interests of Romanticism and the reception of Shakespeare in Germany, but also explores a broader range of themes, from poetry and the public memorialization of poets to fairy stories - all meticulously researched, yet highly accessible. As a comprehensive examination of German literary history in the period 1700-1900, the collection not only includes accounts of the lives and work of Goethe, Schiller, the Schlegels, and Gundolf (amongst others), serving to nuance our understanding of these figures in history, but also considers diverse (and often underexplored) topics, from academic freedom to the rise of travel literature. The essays have been reformulated, corrected, and updated to add references to recent works. However, the core foundations of the originals remain, and just as when they were first published, the value of these essays – to researchers, students, and all those who are interested in German literary history – cannot be overstated."

Listed by Unglue.it.

Listed by Unglue.it.

Listed by Unglue.it.

Listed by Unglue.it.

Gender and Sexuality Diversity in a Culture of Limitation provides an outstanding and insightful critique of the ways that contemporary education is impacted by a range of political, social and cultural influences that inform the approaches that schools take in relation to gender and sexuality diversity. By applying feminist poststructural and Foucauldian frameworks, the book examines the ongoing impact of broader socio-cultural discourse on the lives of gender and sexuality diverse students and teachers. Beginning with an overview of the impact of how a culture of limitation is realised in Australia, the focus moves beyond this context to examine state and federal policies from comparable societies in countries including the USA and the UK and their effect on the production of knowledges and what’s permissible to include in educational curriculum. This research-driven book thus provides a comparative, international overview of the current state of gender and sexuality diversity in schools, and convincingly demonstrates that despite some empowerment of gender and sexuality diverse individuals, silencing and marginalization remain powerful forces. This book will be of great interest to graduate and postgraduate students, academics, professionals, and policy makers interested in the field of gender and sexuality in education. It is essential reading for those involved in pre-service and in-service teacher education, diversity education, the sociology of education, as well as education more generally.

Listed by Unglue.it.

Gender and Sexuality Diversity in a Culture of Limitation provides an outstanding and insightful critique of the ways that contemporary education is impacted by a range of political, social and cultural influences that inform the approaches that schools take in relation to gender and sexuality diversity. By applying feminist poststructural and Foucauldian frameworks, the book examines the ongoing impact of broader socio-cultural discourse on the lives of gender and sexuality diverse students and teachers. Beginning with an overview of the impact of how a culture of limitation is realised in Australia, the focus moves beyond this context to examine state and federal policies from comparable societies in countries including the USA and the UK and their effect on the production of knowledges and what’s permissible to include in educational curriculum. This research-driven book thus provides a comparative, international overview of the current state of gender and sexuality diversity in schools, and convincingly demonstrates that despite some empowerment of gender and sexuality diverse individuals, silencing and marginalization remain powerful forces.This book will be of great interest to graduate and postgraduate students, academics, professionals, and policy makers interested in the field of gender and sexuality in education. It is essential reading for those involved in pre-service and in-service teacher education, diversity education, the sociology of education, as well as education more generally.

Listed by Unglue.it.

How do white queer people portray our own whiteness? Can we, in the stories we tell about ourselves, face the uncomfortable fact that, while queer, we might still be racist? If we cannot, what does that say about us as potential allies in intersectional struggles? A careful analysis of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse traces the intersections of queerness and racism in the neglected medium of queer comics, while a close reading of Jaime Cortez's striking graphic novel Sexile/Sexilio offers glimpses of the complexities and difficult truths that lie beyond the limits of the white queer imaginary.

Listed by Unglue.it.

An exploration of the poetic function of Greek archetypes in Schiller's "Wallenstein", this study claims Homer's "Iliad" and Euripides's "Iphigenia in Aulis", the first epic and the last tragic poem about the Trojan War in the Greek tradition, as archetypal sources for Schiller's modern historical drama about the Thirty Years War. In close comparison with Voss's translation of the "Iliad" and Schiller's own translation of "Iphigenia in Aulis", Berns shows how "Wallenstein" compounds echoes of Homeric and Euripidean characters and plots to create a rich horizon of mythical overtones above and beyond the historical world.

Listed by Unglue.it.

In this poignant and meditative collection of short stories, Zubair Ahmad captures the lives and experiences of the people of the Punjab, a region divided between India and Pakistan. In an intimate narrative style, Ahmad writes a world that hovers between memory and imagination, home and abroad. The narrator follows the pull of his subconscious, shifting between past and present, recalling different eras of Lahore’s neighbourhoods and the communities that define them. These stories evoke the complex realities of post-colonial Pakistani Punjab. The contradictions of this region’s history reverberate through the stories, evident in the characters, their circumstances, and sometimes their erasure. Skillfully translated from Punjabi by Anne Murphy, this collection is an essential contribution to the wider recognition of the Punjabi language and its literature.

Listed by Unglue.it.

Die im vorliegenden Band versammelten Beiträge gehen aus der Sektion »Historische Pragmatik und historische Varietätenlinguistik. Wissenschaftspraxis und Methodologie - Divergenzen und Konvergenzen« hervor, die am 29. und 30. September 2003 auf dem XXVIII. Deutschen Romanistentag in Kiel stattfand. Konzeption und Planung dieser Sektion waren getragen von der Einsicht, dass historische Pragmatik und historische Varietätenlinguistik in ihren Objekten und Methoden zahlreiche Berührungspunkte und Überschneidungen aufweisen, sich aber institutionell und in ihren Forschungstraditionen auf recht unterschiedlichen Wegen entwickelt haben. Vor diesem Hintergrund haben die Beiträge der Sektion zum Ziel, Konvergenzen und Divergenzen der beiden Disziplinen im Rahmen eines reflektierten Dialogs zu benennen und zu kommentieren. Besonderes Augenmerk wurde für dieses Unterfangen auf die enge Verzahnung von Wissenschaftspraxis und Methodologie gelegt.

Listed by Unglue.it.

Listed by Unglue.it.

"Friedrich Hölderlin’s only novel, Hyperion (1797–99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation. Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin’s language to an English-speaking reader."

Listed by Unglue.it.

The latest Grist Anthology is an innovative blend of some of the most exciting and freshest voices in prose and poetry today. It features five sections written from five distinct narrative viewpoints.

Listed by Unglue.it.

In Divisible Cities takes Italo Calvino’s classic re-imagining of Venice, viewed in the mind’s eye from many different metaphysical angles, and projects it on to the world at large. Where the Italian saw his favorite city as an impossible metropolis of many moods, shades, and ways of being, this unauthorized sequel unpacks the Escheresque streets in unexpected directions. In Divisible Cities is thus an exercise in cartographic origami: the reflective and poetic result of the narrator’s desire to map hidden cities, secret cities, imaginary cities, impossible cities, and overlapping cities, existing beneath the familiar Atlas of everyday perception. Stitching these different places and spaces together is a “double helix” or “Siamese seduction” between the traveler and his romantic shadow, revealing — step by step — a clandestine itinerary of hidden affinities, nestled within the habitual rhythm of things.Matter matters. That’s what the drone of the city tells us.And yet we dream of something beyond these invisible walls.

Listed by Unglue.it.

Originally published in 1962, Robert Lichtenstein's translation of "King Rother" made the medieval epic available to English-speaking audiences for the first time. His translation in rhymed couplets seeks to convey the humorous spirit of the original and an introduction places the poem in its historical context.

Listed by Unglue.it.

"La Castañeda Insane Asylum is the first inside view of the workings of La Castañeda General Insane Asylum—a public mental health institution founded in Mexico City in 1910 only months before the outbreak of the Mexican Revolution. It links life within the asylum’s walls to the radical transformations brought about as Mexico entered the Revolution’s armed phase and then endured under succeeding modernizing regimes. Author Cristina Rivera Garza brings the history of La Castañeda asylum to life as inmates, doctors, relatives, and others engage in dialogues on insanity. They discuss faith, sex, poverty, loss, resentment, envy, love, and politics. Doctors translated what they heard into the emerging language of psychiatry, while inmates conveyed their personal experiences and private histories through expressions of mental suffering. The language of pain—physical and spiritual, mild to excruciating—allowed patients to detail the sources and consequences of their misfortune. Available now for the first time in English, this edition contains updated sources and features a note by the translator, Laura Kanost. "

Listed by Unglue.it.

"Last Year at Betty and Bob’s: An Actual Occasion is the third in a series of three novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. An Actual Occasion revisits the viral transitioning of the becoming rat-woman from Last Year at Betty and Bob's: A Novelty (vol. 1 in the trilogy). The adventure focuses on the Gritta’s, a gang of artists on retreat in the Dolomite Mountains, as they engage with the idiosyncratic, keeper of the keys, Roberta. Her other-worldly Café Arcadia, a magical cathedral of voluminous aphorism, is an archival refuge and durational homage to Benjaminian storytelling. This futurist fairy-tale is tinged with a curious mix of 19th-century feminist idioms and a queer, post-pandemic sanguinity."

Listed by Unglue.it.

Last Year at Betty and Bob’s: A Novelty is the first in a series of novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB blue, is fashioned by thinking through the felt unthought of this between space. A fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders and phenotypes. Occurrences of lived “fact” elide with a hallucinatory real as speculation. In A Novelty, Bette B, an ageing quasi-academic artist researcher, and BØB, attuned urban rodent, are palindromic variants of a generic cast of Betty’s and Bob’s. The happenstance of their meeting on the super slick POMOC (PostOffice MotionCorridor) affects a trans-special contagion. These are the facts of the matter. The matters that come to concern both B’s are more slippery and elusive.

Listed by Unglue.it.

Last Year at Betty and Bob’s: An Adventure is the second in a series of three novellas emerging from a writing practice that taps the cusp of consciousness between dreaming and waking. A storyline, or genealogy, tinted a shade of RGB red, is fashioned by thinking through the felt unthought of this between space — a fabulation, an anarchive of what passes through. Lucid dreaming of this type is rife with allusions to conceptual and material goings-on, manifesting in awkward imaginaries. The dream personas are rendered as complex character amalgams with nomadic ages, sexes, genders, and phenotypes. Occurrences of lived “fact” elide with a hallucinatory real as speculation. In An Adventure, a feral feminist artist collective, The Bettys, inhabit a timeless Arcades Project. This is their experiment in wild hypo-consumerism. The event of Red Betty’s fall generates the advent of a turn. A cleaving. The intra-play of personal politics and activist artistic practices is surreally suffused with attention to color, to life and death, to lightness and heaviness.

Listed by Unglue.it.

The twenty-first century has seen LGBTQ+ rights emerge at the forefront of public discourse and national politics in ways that would once have been hard to imagine. Focusing on the small screens of Europe and North America, "Lesbians on Television" maps the contemporary shifts in lesbian visibility within popular media and, from this, extracts a figure of the new 'lesbian normal' that both helps and hinders those it represents. This book offers a unique and layered account of the complex dynamics in the modern moment of social change, drawing together critical social and cultural theory as well empirical research, which includes interviews and multi-platform media analyses. Structured around five central case studies of popular British and American television shows featuring lesbian, bisexual and queer women characters – "The L Word", "Skins", "Glee", "Coronation Street" and "The Fosters".

Listed by Unglue.it.

This edited volume explores new engagements with the life sciences in contemporary fiction, poetry, comics and performance. The gathered case studies investigate how recent creative work reframes the human within microscopic or macroscopic scales, from cellular biology to systems ecology, and engages with the ethical, philosophical, and political issues raised by the twenty-first century’s shifting views of life. The collection thus examines literature and performance as spaces that shape our contemporary biological imagination. Comprised of thirteen chapters by an international group of academics, Life, Re-Scaled: The Biological Imagination in Twenty-First-Century Literature and Performance engages with four main areas of biological study: ‘Invisible scales: cells, microbes and mycelium’, ‘Neuro-medical imaging and diagnosis’, ‘Pandemic imaginaries’, and ‘Ecological scales’. The authors examine these concepts in emerging forms such as plant theatre, climate change art, ecofiction and pandemic fiction, including the work of Jeff Vandermeer, Jon McGregor, Jeff Lemire, and Extinction Rebellion’s Red Rebel Brigade performances. This valuable resource moves beyond the biological paradigms that were central to the nineteenth and twentieth centuries, to outline the specificity of a contemporary imagination. Life, Re-Scaled is crucial reading for academics, scholars, and authors alike, as it proposes an unprecedented overview of the relationship between literature, performance and the life sciences in the twenty-first century.

Listed by Unglue.it.

Ce livre ouvre un nouveau champ d’études : les dynamiques normatives globales relatives aux religions. Le cas de la norme internationale des droits de l’homme sur la pratique du crime d’honneur retient l’attention car elle a un potentiel de dissémination mondiale et participe à la controverse sur la religiosité de la pratique du crime d’honneur au Pakistan. En empruntant la perspective de l’histoire des religions et la méthode d’analyse du discours, l’auteure atteint trois objectifs : la reconstruction des événements qui produisent la norme internationale, la mise en exergue des mécanismes sous-jacents aux discours onusiens et l’examen de la religiosité des pratiques normatives onusiennes et pakistanaises.

Listed by Unglue.it.

Manga Vision examines cultural and communicative aspects of Japanese comics, drawing together scholars from Japan, Australia and Europe working in areas as diverse as cultural studies, linguistics, education, music, art, anthropology, and translation, to explore the influence of manga in Japan and worldwide via translation, OEL manga and fan engagement. This volume includes a mix of theoretical, methodological, empirical and professional practice-based chapters, examining manga from both academic and artistic perspectives. Manga Vision also provides the reader with a multimedia experience, featuring original artwork by Australian manga artist Queenie Chan, cosplay photographs, and an online supplement offering musical compositions inspired by manga, and downloadable manga-related teaching resources.

Listed by Unglue.it.

On February 24, 2022, Russia launched a full-scale invasion of Ukraine that dominated headlines around the world. Millions of Ukrainians would flee the country, and a third of the population would be displaced. In the days following the invasion, Swedish migration expert Gregg Bucken-Knapp sent text messages to his Ukrainian colleagues, offering support and assistance. These were their responses. In a series of graphic vignettes, Messages from Ukraine takes the words of Ukrainian migration professionals and transforms them into snapshots of how war affects the lives of everyday people: those who are forced to flee home and seek safety elsewhere, those who choose to stay and volunteer or fight, those who witness events unfolding from afar, and those who find themselves trapped in cities under siege. Messages from Ukraine captures a moment in time to tell a timeless story about war, displacement, determination, and resilience. Proceeds from the sale of Messages from Ukraine will go to the Canada-Ukraine Foundation, a national charitable foundation that provides humanitarian aid to the people of Ukraine.

Listed by Unglue.it.